This past Saturday was International Pillow Fight Day and thousands of revelers gathered in Union Squareto mark the occasion. I was on hand to take pictures and get whomped dozens of times while trying. Eventually I took up arms myself, and had a blast. The event evoked the carefree joy of children playing in a broken fire hydrant, and the release that comes from uncontrollable infectious laughter. Sure, it was also a spectacle, but what else do you expect from New York these days? This is where we gather to share spectacles.
Speaking of spectacles, last month I experienced the thrill of attending
KAIJU BIG BATTEL, which bills itself as “the world's only live, monster
fighting spectacle”. KAIJU BIG BATTEL
(I think it should always be shouted) is pro-wrestling performed in
elaborate Japanese monster costumes. That
in and of itself makes KAIJU BIG BATTEL worth attending.
But where traditional pro wrestling manipulates its fans through storylines and characters based on a putrid (and fascinating) mix of sex, race, and violence, KAIJU BIG BATTEL turns that formula on its head with arbitrarily fantastical teams like "Team Space Bug”, and patently absurd characters like Kung-Fu Chicken Noodle (the “unfriendliest rogue consomme”), and a giant radioactive sea urchin named Unibuzo, whose origins are described as follows:
Unibouzu once is the geek boy. Snort when laugh and no friend or lady in school. Lucky for dork, atomic urchin biting and grow strong. In not the luck for boy, getting the most stupid too.
With such delightfully absurd elements, the audience can cheer, boo, and otherwise engage their fandom in total freedom. When was the last time you could root for something just because you wanted to, and for no other reason? This is the genius of KAIJU BIG BATTEL.
Enough. Good clean fun shouldn’t be
subjected to such analysis. Pics here (I think you'll be able to figure out which are the Kaiju pics).